how tall is derek jeter

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David Wright, the phenom third baseman of the New York Mets, is the real deal folks. The latest in an endless revolving door of players the Mets have tried at the hot corner, David Wright is finally going to end New York's quest for an everyday third baseman for the foreseeable future. On a team that has been stockpiled over the past two winters with stars, David Wright is going to be the brightest of them all, on baseball's biggest stage.

David Wright is different from most of the Mets recent "can't miss" prospects in one important way. He hasn't missed. He made his Major League Baseball debut on July 21st, 2004, with the headlines of the New York Post trumpeting "The Great Wright Hope". He was only 21 at the time, but David Wright proved worthy of the hype, a rare thing amongst Mets' minor leaguers of this era. He hit .293 in 263 at bats with 14 home runs and 40 RBI. He was good enough that the Mets sent their previous third baseman, Ty Wigginton, to the Pirates in the deal that brought pitcher Kris Benson to the Mets. They basically told Wright that third base was his and eliminated the pressure of worrying about sticking in the majors.

David Wright was such a hot commodity in the Mets' farm system coming up that when New York was asking Seattle about the possibility of talking to their then manager Lou Piniella about taking over the reins in New York, Seattle said sure. Just as long as when Piniella goes to the Big Apple you give us David Wright in return! Fortunately for the Mets, they hired Art Howe instead, keeping David Wright. The two long years of not contending under Howe can now be eased by the thought that his managerial stint was a trade-off for keeping New York's best player a Met.

David Wright, who was born in Virginia in 1982, is a six-foot tall right handed batter and thrower. He weighs two hundred pounds, and although he made 11 errors in his first half season of 2004 and 24 last year down at third, he is going to become an excellent fielder. He is used to playing shortstop; he will get better with experience. When he came up in 2004, with all of the expectations of Mets fans a potential crippling burden, he did not flinch. He had a break-out game against the Brewers in August when he poled a 450 foot home run and knocked in six. As 2005 began, David Wright was being looked at to be a leader on the field and in the clubhouse. That is a lot for a kid, but Wright has been up to the challenge.

His 2005 season was very, very good. 42 doubles, 27 homers, 102 RBI in 160 games. David Wright hit .306, and established himself as an up and coming star. His ridiculous bare handed catch of a pop fly as he fell forward like a football wide receiver made all the highlight reels, but David Wright is more than a one play wonder. His 2006 start could not be going any better. He is hitting over .400 after ten games, leading the Mets to an 8-2 record, just the fast break that this team needs. Wright has struck out only once in 35 at bats and leads the Mets with 13 RBI; to show you what a good situational hitter he is, he already has three sacrifice flies.

There is no ceiling on how good David Wright can be. He has already been embraced by the New York fans and media, with some talk show callers phoning in and comparing him to the crosstown Yankees' Derek Jeter. That's a little too much at this point in his career, but the comparison may be able to be made when all is said and done, as David Wright will be a fixture in New York baseball for years to come.

nate dogg

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Since he emerged in 1992 on Dr. Dre's Deep Cover, Snoop Dogg has become an acclaimed rapper, actor, producer, as well as an American icon. His laid-back personality and charisma have helped him crossover to mainstream America: while his acting resume has largely been centered on urban films, he has made countless appearances in such disparate mainstream venues as the NBC television show Las Vegas, the ABC soap opera One Life to Live, WrestleMania XXIV, and Orbit Gum commercials. His ubiquity sometimes overshadows his musical accomplishments, but Snoop has long been a hip-hop pioneer and legend. In no particular order, here are the best Snoop Dogg songs:

1. Nuthin' But a "G" Thang, Dr. Dre's The Chronic, 1993

Everybody knows this song. Your mother knows this song, even if she hates it. Dre and Snoop effortlessly trading verses sent the standard for Grade A West Coast rap soaring to new heights back in 1993. It's still fresh and goes well with any party or drive. This is easily one of the best Snoop Dogg songs every recorded.

2. Drop It Like It's Hot, Snoop Dogg's R&G (Rhythm & Gangsta): The Masterpiece, 2004

Snoop dropped one of the catchiest songs of the past decade when he released this as a single. Thanks to the minimalist production of the Neptunes, Snoop reasserted his status in the game over this, one of the best Snoop Dogg songs, and introduced another catchphrase, the title, into the American lexicon.

3. Gin and Juice, Snoop Dogg's Doggystyle, 1993

Probably the best single off his debut album, this ode to hedonism proved Snoop could make hit singles without vocals from Dr. Dre. It's been hugely influential, referenced by scores of rappers and even covered by non-hip-hop artists.

4. Deep Cover/187, Deep Cover soundtrack, 1992

This was Snoop Dogg's introduction to the world, and is a classic example of early nineties gangsta rap. Its understated production draws attention to the lyrical content, which helps establish Snoop's street credibility, and recaptures the feel of N.W.A.'s most compelling work.

5. Murder Was the Case, Snoop Dogg's Doggystyle, 1993

A departure from the rest of the songs on the debut, Murder Was the Case is a sobering look into the perils of gang life. Featuring a near-death Snoop meditating on his mistakes, and then being manipulated by the devil into yielding his eternal soul, it's easily the most powerful record on Snoop's debut.

6. The Next Episode, Dr. Dre's 2001, 1999

On the heels of the last line of Nuthin' But a "G" Thang, "So just chill, til the next episode," it's fitting that on Dr. Dre's sequel to his classic The Chronic, he revisit some of the original classic material. Rather than trying to forcefully recapture the magic of the first song, Dre and Snoop create a song dissimilar in form and structure that just as easily highlights their natural chemistry and charisma, and just as strongly represents the West Coast as any of their earlier work.

7. 2 of Amerikaz Most Wanted, Tupac Shakur's All Eyez On Me

Before Death Row imploded Tupac and Snoop, were comrades-in-arms as well as labelmates, each hugely successful and popular stars, and each facing separate legal difficulties. This resulted in a excellent collaboration, with each rapper wallowing in their notoriety. The hook, featuring Tupac crooning, "Ain't nothin but a gangster party," married to an enjoyable up-tempo pop-sounding record make this one of the best songs in either man's catalogue.

8. Beautiful, Snoop Dogg's Paid tha Cost to Be da Bo$$, 2003

While Snoop was signed to Master P's No Limit Records, he quickly released three albums to fulfill his contractual obligations. Those records contain a surfeit of material ranging from slightly above average to mediocre, the result of uninspired production from No Limit's in-house producers and an uninspired Snoop, but during this time Snoop first started to work with the Neptunes and produced the lush and atypically un-misogynistic Beautiful. The falsetto hook and breezy production make this definitively one of the top 10 Snoop Dogg songs.

9. Ain't No Fun (If the Homies Can't Have None), Snoop Dogg's Doggystyle, 1993

If Gin and Juice is Doggystyle's best single, then Ain't No Fun is definitely the album's raunchiest. Featuring Kurupt, Warren G, and Nate Dogg, the four trade lascivious verses over a breezy up-tempo Dr. Dre beat. Snoop easily outshines them all. What makes it one of the best Snoop Dogg songs is how unadulterated and carefree it is. It's definitely not for the prudish listener, but it exemplifies Snoop Dogg doing what he does best: making catchy and lascivious music.

10. What's My Name, Snoop Dogg's Doggystyle, 1993

On the first single of his debut album, Snoop dazzles with tongue-twisting slang-filled rhymes as he celebrates his success, and wallows in machismo. It holds up well to this day, which is one of the reasons why it is one of the top 10 Snoop Dogg songs. The other two are Snoop's mic presence and the catchinessof Dre's beat.

Honorable Mentions

These songs didn't make the cut, but are still among the best Snoop Dogg songs ever recorded.

• Sexual Eruption, Ego Trippin'

• Lay Low, The Last Meal

• Vapors, Tha Doggfather

• Doggy Dogg World, Doggystyle

• Bang Out, R&G (Rhythm & Gangsta): The Masterpiece

• Vato, Tha Blue Carpet Treatment

• Candy, Tha Blue Carpet Treatment

• Gz and Hustlas, Doggystyle

• Wanted Dead or Alive, Gridlock'd soundtrack

• Lil' Ghetto Boy, The Chronic

• F--- Wit Dre Day, The Chronic

querulous

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It was quite a change from the reign of that proper old Dutchman Peter Stuyvesant In place of the peg-leg Protestant, we had as governor under the English a tastefully rouged and beautifully gowned lady. One thing remained the same however; both Governors Stuyvesant and Cornbury were men.

This twisted tale of political corruption and gender confusion occurred a century after the changeover from Dutch to English rule. Although Stuyvesant had been a lion rampart, ready to the guns for king and country, his ever more practical underlings saw defense of the colony as impractical and decided to see to the main chance.

So Stuyvesant was left alone and unaided, having to surrender his beloved city to that loathsome enemy, the English. Imagine how much more repulsive when the English stopped merely appointing non-entities and decided on a character with a screw loose to be our new governor. Thus began the 400-year history of political corruption and insanity that has characterized the City of New York from the days of the Dutch, through Boss Tweed and Taminent Hall and down to the scandals of the minute.

Edward Hyde, whose titles included Lord Cornbury, and Earl of Clarendon, was a cousin of Queen Anne, who governed this largely Dutch speaking city between 1702 and 1708. He was a man of legendary avarice, gall and flamboyance like so many New York City mayors still to be born. But he did them one better. At least they kept their pants on. Stories abound of his having adopted women's garb under the theory that since he was the Queen's cousin, he was to represent her in every way. A portrait alleged to be cross-dressing Cornsbury hangs in the New York Historical Society to this day.

He was also supposed to have a fetish for his wife's, "shell-like" ears which he said were the best in the empire, and to have demanded that visitors to the governor's mansion feel and admire them at length. Such demands had the salubrious effect of causing all and sundry to avoid both governor and lady and take their querulous complaints with them. And it didn't hurt that he charged an admission fee for visits as well

Then there were the stories about his transportation preferences. Always a man in a hurry in the days before subways, he was supposed to have ridden his horse into the King's Arm's tavern for liquid refreshment for both.

He was also helped institute a tradition of stealing the city blind that would endure into present day. His defalcations included stealing the money needed to defend New York against the French and giving away huge tracts of public to those who financed his own ever-growing debt. His wife was a kleptomaniac too. Citizens on whom they paid call often noticed the odd bauble gone missing. But fear not, all was well. Within a few days they would be afforded the opportunity to repurchase the item that had briefly graced the governor's mansion—at a slight mark-up of course.

Then there was his legendary cost-savings ideas. Modern mayors could well copy his novel formula for cutting down on the expense of running the official residence. He instituted a court in the manner of his cousin's in London and all the daughters of the best families vied to take their place in it. Foreseeing a future as ladies in training, learning the arts of courtesy and embroidery, they were well shocked to discover that all of the servants had been discharged and they were to be the replacements. Their parents descended in force on the governor to retrieve their daughters.

Finally the pleas and imprecations of the imposed upon burghers of New York reached London and he was recalled. He was promptly clapped into debtor's prison upon setting foot to land and remained there for the next year until the fortuitous death of his father provided the means to settle his American bills.

Although all of these stories have been documented in countless books and records throughout the history of the city, one should know that character assassination was the blood sport of the Enlightenment and that many of these tales had their origins with people who had an ax to grind. However, in the classic lines of John Ford's The Man Who Shot Liberty Valance, "When the legend becomes fact, print the legend."

Sources:

The History of New York, Bill Harris
Chapter 2, pages:. 35-39
Portland House, div. Dilithium Press
Distributed by Crown Publishers, Inc.
1989 edition

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